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The ME80 is a classic anologsynth. In addition to the features on a Yamaha CS80 the ME80 will give you: Patch memory for 128 patches. /unison-mello-collection-for-serum-vol-1-download.html. Group presets for each synthline and equalizer. You can select highpass/lowpass for each filer. You can change the sine wave into a triangle with adjustable harmonics. You can change the square wave into a saw. May 15, 2018  Memory Moon ME-80: It's funny you started this thread just now since I just got my copy of ME-80 running a few minutes ago. After trawling through a million threads over the last few days, I found a consensus of about a half-dozen here that the ME-80 edges out Arturia's CS80V for more accurately nailing the legendary Yamaha CS80 (nevertheless, the Arturia emulation both looks. BOSS ME-80 Training Guide 1. FEATURES & BENEFITS. Traditional BOSS ME-type simple knob-based operation. COSM amp and effect modeling. USB port and downloadable BOSS Tone Studio® editor for computer recording, onscreen editing, patch download, for MIDI control, using the ME-80 as.

'In terms of sound quality, the CS-80V is absolutely divine. It's a first-rate-analog-style synthesizer with a wealth of detuning and modulation possibilities that allow you to cook up truly retro sounds-if that's what you're looking for. On the other hand, thanks to the sequencer, stereo delay and multitimbral aspects of the instrument, the CS-80V can sound as up-to-date as your programming chops will allow. The filters have plenty of bite - so much so that you have to watch for clipping. And I particularly like the implementation of the ring modulator, suboscillator and Touch Response features, which enable you to add weird little subtleties to a sound.'
  • Sound Quality
  • Ease of use
  • Features
  • Bang for buck
  • Overall:

This is a condensed version of my full review. Pictures and even more details are available at the link at the bottom of the mini-review.
MemoryMoon ME80 Review – Real “Virtual” CS80
From Reviewer's Revival: www.reviewrevival.ca
This old-skool Synthedit creation is one of THE MOST authentic-sounding Yamaha CS80 emulation that has ever been made. Yes, I know, there is another famous 64 bit, cross-platform CS80 emu out there, but not for only $40! And may I be so bold as to say that the “other” VSTi doesn’t ‘feel’ as authentic as MemoryMoon’s ME80?
There are those who feel that the fancy-schmancy, eLicensed “other guy” doesn’t exhibit the true-to-form quirkiness and subtle analogue drift of the original hardware.
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The CS80 was an expensive unit when it was released in late 1976, costing upwards of $8000, but it could never actually be accused of being “versatile”. It had some very distinct sounds; notably the huge brass and delicate, ambient strings. MemoryMoon’s ME80 is verily dripping with those distinctive tones. ME80 not only emulates the sounds of the original hardware that it is modeled after, but it realistically reproduces the famous polyphonic “aftertouch” which the Yamaha CS80 was so greatly prized for.
Brief History:
The Yamaha CS80 was responsible for many a touring roadie’s nightmares; the blessed thing weighed over 200 lbs. It wasn’t only the heavy plywood case, solid wood sides and metal panels that made this analogue beast so weighty, there were also the large transformers, capacitors, PCBs, wiring, and metal heatsinks inside the case.
Most noted for its powerful, 8 voice polyphony and wonderfully analogue brass and string sounds, this expressive instrument was considered by many to be the first “great” synthesizer from Japan. This synth wowed the listener with its wide, exhilarating and ‘organic’ detuning. The CS80 hosted two powerful, analogue oscillators; each configured on a synth line. Each synth line afforded independent VCA and VCF operations. There were high and low pass filters included for each VCF.
Finally Yamaha’s interesting “Ribbon” controller was a new, unique method of pitch bending.
Enter MemoryMoon ME80:
Right off the bat, let me tell you this reviewer feels that the MemoryMoon ME80 is to Yamaha what TAL’s 'U-NO-LX' is to Roland – spot on! If you’re a connoisseur of classic, vintage analogue synths, then you owe it to yourself to give ME80 careful attention and due consideration.
If we were still back in 2008 – 2010, many ITB synth players and home producers wouldn’t have a problem with the fact that MemoryMoon’s incredible synths are written in assembly language and snugly wrapped in a cool, retro Synthedit shell. Let’s not forget that untold numbers of huge chart-topping hits were produced using Pro Tools; versions 7, 8, 9 and 10! Alas, since the middle of 2011, the viability of 64 bit production environments has been brought to the foreground, with only a backwards mentality, er, I mean a backwards compatibility mindset for 32 bit plug-ins. *Cheeky Grin. Nevertheless, if you’re a classic synth lover, you owe it to yourself to ‘find a way to make it work’ and relish the 1980 bliss inherent in ME80.
Hint: Perhaps a ReWired solution where a 32 bit slave DAW is accessible within a 64 bit DAW . . .
$40 bucks, huh? Only available as a Windows only 32 bit VSTi. Is it worth the bother?
Abso-freakin-lutely! . . .

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Installation and Authorization:
A demo version of ME80 is available for download. If you haven’t already got it tucked away somewhere on your hard drive, I highly recommend that you do so. The nice little VST dll and accompanying data folder is safely delivered in a little ol’ 6 MB zip file. . . .
Visuals:
Authentic retro vibe is the story drawn out for us here. All the charm and weighty presence of late 70s ‘synth-i-ness’ is accurately depicted in this GUI. As a matter of fact, each of MemoryMoons fabulous VA synths looks decidedly authentic.
The ME80 is available in two models. The sound is the same in each of them, but the graphics differ. The default skin definitely resembles the appearance of the original hardware; however, the default graphics do look a little dated. No, I don’t mean that they match the period; I mean that they look a little . . . well, ‘clunky’. I feel that the default ME80 interface is a wee bit cramped and that some of the GUI elements are slightly cludgy-looking. Perhaps the developer could increase the size of the interface; especially the height. It seems to me that the fader paths are a little too short. I would also recommend that the slider caps be slimmed down a tad. This is such a wonderful-sounding synth and it deserves to look its very best.
Ah, but there is an excellent alternative offered by MemoryMoon - Enter Mr. Scott Kane’s “High Tech” skin. It may not be quite as true-to-form as ME80’s original interface, but it is easier to distinguish. The high tech skin is reminiscent of a CS80 from say, 1980, as opposed to an original 1976/77 model. It retains much of the original hardware’s motif and is in no way a blatant deviation; rather, it is a slightly more contemporary design. The “High Tech” skin pays homage to its hardware inspirer and makes the synth more attractive while yielding easier parameter maneuverability. . . .
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Sound Quality:
Oh yeah, baby! We’re finally getting to the good stuff now. It’s the ‘sounds’ that ME80 faithfully recreates that makes an ol’ skool guy like me sit up and take notice. This is not some sort of amateur, “first-attempt” programming effort. This is a solid chunk of dense, well-refined digital gold.
With the ability to add additional square waves, and varying degrees of pulse wave width and modulation, ME80 can get ‘sick’ thick. Phat doesn’t cover it – the old analogue synthesizers could get so thick that you couldn’t fit the notes into a warehouse loading dock. Add in some Double-SAW detuning, and you’ll risk busting the housing of your headphones.
And oh, the fizzy-fuzzy noise that this code contraption can emit through an audio interface is searing, deep and rich. The noise faders will let you add some gritty color without losing the ‘musical’, analogue warmth. This is great for putting some ‘vibe’ into pulsing bass lines.

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The robust combinations of high/low pass filter per synth line facilitate a ridiculously wide range of control over tonal shapes. These can even be set up to resound with deliberate, in-your-face presence, or be softened to lulling, smooth ambient pad tones. . . .
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CPU Consumption:

Me 80 Vst Download Torrent

As far as quality VSTi synths go, this one is very gentle on CPU cycles. Most nearly any up-to-date computer should be able to host this instrument on a dozen or more tracks simultaneously. 5 BIG, BRIGHT STARS

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Concluding Remarks:
I sincerely hope and pray that all of the fabulous MemoryMoon synths can be ported over to 64 bit in the foreseeable future. I would be quite disappointed to see such lovely works of sonic art be left behind in the digital dust.
FULL Review, with pictures, audio samples, and greater detail here:
MemoryMoon ME80 Review – Real “Virtual” CS80